Thursday, April 12, 2012

JL Obit, The Age 10.4.12


JAMES OSWALD LITTLE, AO
SINGER, TEACHER

1-3-1937 - 2-4-2012

By JEN JEWEL BROWN

JIMMY "Gentleman Jim" Little, Australia's first indigenous top 10 recording artist, has died in his sleep at his home in Dubbo, aged 75. His doctor suspected heart failure, following years of ill health caused by diabetes and kidney failure that led to an organ transplant in 2004.

After living for years in Sydney's industrial Lilyfield, Little had retired to live in Dubbo in the house he'd always wanted for his family, with lemon and orange trees he'd dreamed of out the back.

Trees were important to the singer-songwriter and his wife, Marjorie-Rose (nee Peters), who had picked the Dubbo house because of its tree-lined street. Sadly, she died just two weeks before their 55th anniversary last July.

The charming, mellifluous-voiced man of faith who would scale musical heights over seven decades, was born under a tree, to his mother Frances (nee McGee) and father James Edward "Kunkas" Little, near the Dhungala (Murray River) at Cumeragunja Station. He was a descendant and elder of the Yorta Yorta and the Yuin/Monaro peoples.

His first crib was a suitcase. The family hut was made of hessian bags, mud and newspaper. "The best way to describe it," Little said, "was highly flammable." His family followed the river and work, picking fruit, singing and playing with the Wallaga Gumleaf Band and at indigenous vaudeville shows.

At 18 months, first-born Little joined his parents and hundreds of others in the 1939 Cumeragunja Walk-Off, the first Aboriginal strike in history, over draconian conditions imposed by the Aborigines Protection Board. Disease was prevalent. Two of Little's six siblings died from tuberculosis. His mother also died, suddenly, of tetanus from a cut by an oyster shell.

Little was 13 years old and Auntie Jane helped care for the remaining five kids to stop the Aborigines Welfare Board taking them away. He attended "Cumera" Aboriginal School, Terara Public School in Nowra and Maruya Catholic School, but left at 15 and found work at a cordial factory in Nowra.

At age 16, he jumped on the back of a Sydney-bound truck to enter Australia's Amateur Hour radio talent show on radio 2GB, coming second. He formed the Continental Duo, and then the Jimmy Little Trio; the group did the town hall circuit, dances and concerts with an all-indigenous line-up.

At age 17, he met Marjorie-Rose at a barn dance, and after a three-year courtship he produced a ring but was too scared to pop the question; "Marje" just slipped it on her finger. Later, strapped for cash, he sold his beloved guitar to pay for the wedding dress.

The couple shared a house at the top of notorious Eveleigh Street in Redfern, Sydney, and their only child, historian and filmmaker Frances Claire Peters-Little, was born when he was 20. Later, when Frances became a single mother to James Henry (now a musician and performer), she said Marje told her "We'll all raise him" so the three of them did, and her father became "a loving father to my son".

Little signed a contract with EMI in 1956, and in 1963, after 17 singles, his sweetly arranged Royal Telephone hit No.1 in Sydney for Festival Records and notched triple gold.

But for some Aboriginal radicals, Little was too quiet in terms of speaking out on issues affecting indigenous people. Yet he was genuinely kind. "Don't let the gentlemanly side fool you," Frances said. "He was sharp as a blade. He knew what he wanted and he did it by shaking your hand."

Little had worked with outback indigenous charity since before the 1972 Tent Embassy in Canberra, spoken out for Aboriginal self-management, and helped Charles Perkins on the Freedom Rides, collecting evidence of unofficial apartheid in country Australia such as when the Mooree Spa Baths refused him entry on racial grounds. Ever constant was his soothing music, and not surprisingly, the public voted him 1964's Australian Pop Star of the Year in Everybody's magazine.

The crooner continued to weave his magic, extending to his versions of tracks recorded by other Australians, such as the 1999 Messenger album, which went gold. Another of his reinventions was Resonate in 2001.

Little was also active in "giving back" to his community. In his final months, he cheered the arrival of the Big Purple Truck, to provide mobile renal dialysis to Central Desert communities through partnerships with his not-for-profit Jimmy Little Foundation. He had also worked with far-flung communities since 2006 in teaching healthy eating through the "Thumbs Up" initiative, assisted by his long-term manager and drummer, Buzz Bidstrup.

Little, who was declared a National Living Treasure in 2004, was also awarded three honorary doctorates by Australian universities, and honoured at the Mo Awards, the ARIAs, the Deadlys and elsewhere, and appeared in films, plays and operas.

He was appointed an Officer of the Order of Australia in 2004 "for service to the entertainment industry as a singer, recording artist and songwriter and to the community through reconciliation and as an ambassador for indigenous culture".

Elders are bringing sand from Little's birthplace to be buried with him at Walgett, where he will lie with his wife, Marjorie. A small private service tomorrow will be followed by a state memorial service at the Sydney Opera House.

Little is survived by his daughter, Frances, his niece, opera soprano Deborah Cheetham (who wrote Pecan Summer about the Cumeragunja Walk-Off before she realised her parents had been involved), and extended family.

His grandson, James Henry, is performing at the Malthouse in Sorry Seems to Be the Hardest Word until April 14.

Wednesday, April 11, 2012

Thank you Jimmy Little

Dr Jimmy Little AO was buried today at Walgett with his sweetheart Marjorie and some sands from his Cumeragunja birthlands. When I have a link to the obituary I wrote for him in The Age I will post it. Thanks you Jimmy for showing us that louder wasn't better, that exquisite expression wasn't just for poets, that love was the ultimate message from the kindest messenger we could hope for. Your versions of songs rewrite them. You built sturdy bridges made for every colour of feet. Vale.

Wednesday, March 28, 2012

Paper Trail


Ah yes, the Planeteers (or some of them - Pepperell missed out this time) by Planet/The Digger/Rolling Stone Australia art director Ian McCausland. Far too flattering of me! But captures the vibe superbly.

The ABC RN Hindsight doco Paper Trail is now up on the websiste. Link is on the title above here. Hope you enjoy it as much as I did the making. What a blast getting to do this! And a wonderful opportunity to remember those days and the great papers. Apologies to those who contributed so much, like Colin Talbot, especially as early go-to administrator at The Digger for instance, Jan Flett at Planet and Greg Taylor at RAM, who due to time constraints have not been painted into this limited portrait. More images on the website/podcast.

Wednesday, February 22, 2012

Bit sad, bit glad ... Seems I've finished Paper Trail, the Hindsight program I've been working on part-time for a while now. Features .Daily Planet, Planet, The Digger, Nation Review and RAM.

And Andrew McMillan, Michael Leunig, Germaine Greer, Mungo MacCallum, Richard Walsh, David N. Pepperell, Virginia Fraser, Terry Cleary, Alistair Jones, Anthony O'Grady, Phillip Frazer and more and more ... I feel overwhelmed. At last I cried for Andrew -RIP. Will let you know when the program is going to air.

Thursday, January 05, 2012

Melbourne - fireworks taking themselves too literally

2012 was the first New Year I woke to where both my kids were staying off elsewhere, separately doing their own things with their own friends at their own parties. It was a bountiful eve, driving Sienna up into the tangling hills of Research, hairpin bends writhing like a a cut snake, moon a cantelope slice hanging fat near the horizon in the warm air, pygmy possum eyes glowing overhead as we climbed and climbed and I left her at a high stone gate with friends and wound back down and home to absolute peace and solitude. Just loved it. In the afternoon of 1/1/12 went over to my lover's and we spent a sensational day partying, dancing, singing and whatnot ... Lots of whatnot. A very happy 2012 to all of you.

Monday, February 07, 2011

stealing away ... For Steve Prestwich


Death doesn't mess around ... Except when it does. Age's sombre march can have many mis-steps. Lost two old friends recently, both in their 50s. Harvey James's loss we saw coming, his lung cancer spreading. Steve Prestwich's second, fatal bout with a brain tumour came out of left field.

Writing obituaries is an honour and a fierce challenge. You deal with the fresh grief of those closest. There's often family dischord, and people are angry and easily upset. Yet with luck the tribute stays up on the net for people to read from anywhere, for a long time. Like a vitual headstone in space. It's an important memorial to read about the marks artists make on the wall of life.
Artists can get too easily forgotten in this country, in my opinion. Vale.

Wednesday, December 22, 2010



I've never used a toilet as portrayed in pictures 1 and 2 in this official poster on a Swinburne University toilet wall, but I guess at sometime someone has, or else they wouldn't have put this up, right?


This in East Brunswick outside 3RRR after I did Aural Text review of Black Inc.'s 2010 Best Austraian Poems. More moody Melbourne rainskies. Just loving this rain. Cool, cool summer so far.


Trees out Dad and Sue's window

Storm surge North Melbourne



This bizarre apparition appeared up the road when I exited a pub in North Melbourne late last week. It was so transfixing I nearly got wiped out by the 4WD coming down the road in the shot shortly afterwards when I went to cross the road. Big downpour included.

Thursday, October 21, 2010

Paulfactor



You gotta love this. Paulfactor
Living Music participant/
performer/writer and DJ on
the Living Music Radio show,
Mondays 3-4pm on the magic 3CR
and coming up in Word on the Street.
Don't mean a thing if you
ain't got that bling
Looking forward to these shows ... I'm back on the publicity trail again, but only for a good cause like
LIVING MUSIC’s 2010 crew present …
WORD ON THE STREET
Underground Loop Vol IV
LIVE CD LAUNCH
Old Council Chambers, Trades Hall, cnr Victoria & Lygon Sts, Carlton
Three shows: Thursday 25th November 6pm &
Friday 26th November 1pm & 6pm
FREE but to avoid disappointment please book Ph: 9329 0503 / info@livingmusic.com.au

Imagine you’re young, you’re in trouble, the world is bearing down like a tornado. Music can be a release - even a transformational magic carpet ride. But in order to get your act off the ground, first you have to skill up. Find a mentor, a studio and some boon companions. That’s where Living Music comes in.

From a natty studio complex hidden behind a brightly graffed door in a North Melbourne alleyway come sounds of the street, beguiling, moving and fresh. Melodic hip-hop, torn-up pop, gentle Islander R&B and genre-defying tales of struggle and love all feature on Living Music’s new CD WORD ON THE STREET Underground Loop Vol IV.

And to mark the occasion, Living Music 2010’s crew present WORD ON THE STREET live in the Trades Hall Old Council Chambers over three shows November 25-26. The show’s concept is loosely based around the search for a shadowy underground figure called Motley, detailed in the title track, aided by a selection of songs from some of the one thousand-plus young people who’ve participated in the Living Music program this past year. Tracks crackle and growl with energy, harmonise with fine melodies, unfold with surprising skill. Words and music ranging from the most simple, sweet acoustic guitar to sophisticated, highly-arranged diatribes arise from a range of talented characters like Paul Factor, Trixide, Gabby and Saint Lu.

Backgrounds in youth detention, homelessness, family breakdown, disability, mental illness and substance abuse have touched participants of the Living Music program, an important avenue for musical composition, recording and performance for young people at risk since 1999. And, like the show and CD, assisted by the City of Melbourne, inspirational mentors have worked alongside Living Music participants - including key people from Rogue Traders, Dili Allstars, the Avalanches and Living End plus Mia Dyson, Mark Seymour, DJ Wasabi, Little G, Wicked Force Dancers. Current mentors for the Word on the Street CD and show are Motley, Mantra, Rob Sedky, Thomas Butt, John Favaro (Badloves) and Pete Satchell (Dallas Crane).

Andrew McSweeney, the very experienced head mentor, songwriter, producer and musician behind Living Music - who also plays with Kutcha Edwards - is very excited about the new show. “I can’t wait to see what people think. We’ve definitely struck some real talent at Living Music in 2010 and the CD has plenty of knockout tracks. We also get to present it onstage over three shows in the Trades Hall Old Council Chambers, which is a really cool old wooden amphitheatre with an exciting, intimate feel to it.”
BOOKINGS AND ENQUIRIES: Living Music, Andrew McSweeney. info@livingmusic.com.auPh 03 9329 0503/ Fax 03 9329 7857 Website: http://www.livingmusic.com.au/
MEDIA ENQUIRIES & interviews with participant Paul Factor or organiser Andrew McSweeney: Jen Jewel Brown 0408 898 338 jenjewelbrown@fastmail.fm
Living Music Radio Show with Paul Factor airs weekly on Mondays 3-4pm on 3CR
Supported by the City of Melbourne, the Department of Human Services and Artful Dodgers Studios through Jesuit Social Services.

Oh yeah - and speaking of Artful Dodgers Studios, they have their annual exhibition launching 5pm Tues 26 Oct and they say: “In our backyard you’ll discover strange flora and fauna – created with sculpture, painting, sound and moving imagery.” OK?

Who: Artful Dodgers StudiosWhat: Into The Shed
When: Tuesday 26th October – Saturday 6th November 2010
Where: Fortyfivedownstairs (45 Flinders Lane, Melbourne)
Email: info@fortyfivedownstairs.com

Thursday, September 30, 2010

visibly inking up



Collingwood's Dane Swan is inking up at a great rate even as he works his way towards a second Grand Final in 2010, Collingwood vs St Kilda. I expect the Pies to put the Saints to the sword properly this time with a bit of Samurai strategy courtesy of canny Mick Malthouse (who'll be smart and lucky enough to get MM next?). And hopefully some straighter kicking (although please note, knockers, Travis Cloke is one of the best contested markers in the comp, which has to count for some space tokens, surely). Wish Prestigiacomo was in though.